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Kinamayan (Innovation by Patis Tesoro) (n)

LOCAL NAME:

Kinamayan (Innovation by Patis Tesoro) (n)

ENGLISH NAME:

Wrap-around skirt

DESCRIPTION:

Abra, Tinguian, and Itneg: Kinamayan
A two-paneled skirt with an indigo background, featuring horizontal red and white bands embellished with multiple white embroideries

COMMONLY USED BY/IN:

Abra, Tinguian, Itneg

MATERIAL COMPOSITION:

Cotton threads, Natural dye

ITEM CONSTRUCTION:

Plain weave, Embroidery, Stitching, Dyeing

DIMENSIONS:

Length
115.5 cm

Width
86.5 cm

Fringes
5 cm

ACQUISITION YEAR:

2021

RESEARCH DATA:

The kinamayan is identified by an indigo background in a diamond twill weave, accentuated by lengthwise white and red bands and intricate embroidery across the fabric. An innovation by textile revivalist Patis Tesoro, the traditional elements are preserved, though the fabric is woven in plain weave rather than diamond twill. An interesting element is the braided thread stitched on top of each red band, which extends beyond the edges of the skirt to form tassels. Embroidered designs include stars (sinan-bituen), rice stalks (palay), and lizards. The name kinamayan means "hand-made" or "handwoven," referring to the hand-embroidered details of the skirt and originating from the root word kamay ("hand"). Traditionally, the kinamayan is utilized in rituals like dawak, diyaman, and allap, ceremonies performed to honor and appease deities and often associated with agriculture, protection, and healing (Aquino, 2005; Respicio, 2000). Typically worn by a diviner or priestess, known as manganito, the garment is also commonly accompanied by tadek, the ceremonial dance of the Itneg or Tinguian people (Respicio, 1994).

REFERENCES:

Aquino, M. (2005). Dynamics of Weaving and Development of an Itneg Community in Abra, Philippines. Unpublished PhD Dissertation. University of the Philippines Los Baños.


Pastor-Roces, M. (1991). Sinaunang Habi: Philippine Ancestral Weave. Nikki Books.
Respicio, N. (1994). The Rise and Fall of the Textile Weaving Tradition of the Itnegs of Northern Luzon, Philippines. Art Studies Journal, 1(3), 21-29. https://artstudiesjournal.upd.edu.ph/wp-content/uploads/2022/12/VOL1_ISS1_ARTICLE-3_RESPICIO-NORMA_THE-RISE-AND-FALL-OF-TEXTILE-WEAVING-TRADITION.pdf

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