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Insukit (a)

LOCAL NAME:

Insukit (a)

ENGLISH NAME:

Blanket with crab-like motifs

DESCRIPTION:

Abra, Tinguian, Itneg, Ilocos, & Ilocano: Insukit/Inkaot/Sinukitan (Sinan-agatul)
Abra, Tinguian, & Itneg: Pattok (Sinan-agatul)
A three-paneled blanket with alternating red and yellow diamond motifs on a plain white background. It has fringed borders.

COMMONLY USED BY/IN:

Abra, Tinguian, Itneg, Ilocos, Ilocano

MATERIAL COMPOSITION:

Thread, Dye

ITEM CONSTRUCTION:

Brocade weave, Stitching

DIMENSIONS:

Length
200 cm

Width
131 cm

Fringed borders
3.5 cm

ACQUISITION YEAR:

2021

DISPLAY STATUS:

BURC

RESEARCH DATA:

Blankets under the pinilian description are textiles woven with pre-selected warp threads that produce brocade weaves or designs that appear floating on the cloth’s surface. Pinilian also refers to the supplementary weft technique employed in textile weaving using either continuous or discontinuous supplementary weft yarns (Pastor-Roces, 1991). The use of the latter is called inlaid, locally termed as insukit or inkaot in Ilocos (Respicio, 2014).


In this textile, the insukit is used to produce diamond motifs in red and yellow colors which are geometric representations of crabs (sinan-agatul or agkammang). According to Respicio and Yoshikawa-Zialcita (2020), designs woven in alternating colors are attainable because of this technique (p. 189). They also appear scattered on a plain ground weave or background of the blanket, as opposed to those made using continuous supplementary weft yarns, which look like designs arranged in rows (Respicio, 2000). Depictions of crab reflect the rich riverine life of the Itneg and their practice of fishing in their large rivers. As part of the finishing touches, the blanket ends with a fringed border, which is locally known as the pulikos.

REFERENCES:

Pastor-Roces, M. (1991). Sinaunang Habi: Philippine Ancestral Weave. Nikki Books.

Respicio, N. (2000). The Dynamics of Textiles Across Cultures in Northern Luzon, Philippines. Unpublished PhD Dissertation. University of the Philippines Diliman.

Respicio, N. A. (2014). The design techniques. In Journey of a thousand shuttles: The Philippine Weave. Manila: National Commission for Culture and the Arts, pp. 70-73.

Respicio, N. A., & Yoskikawa-Zialcita, G. E. (2020). Weaving ways: Filipino style and technique. Manila: HABI The Philippine Textile Council and the Museum Foundation.

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