This blanket from the collection is a dinapat textile featuring spoon-like motifs (sinan-kutsara), zigzag patterns to represent river-like patterns locally termed kinarkarayan, and floral designs (sinan-sabong). Its patterns and motifs exhibit reflective symmetry, with both the upper and lower, as well as the left and right, parts of the blanket mirroring each other. According to Salvador-Amores and De Las Peñas (2019), this type of symmetry is a defining characteristic of dinapat textiles, with both its horizontal and vertical axis passing through the center (p. 98). This sinan-kutsara blanket uses a “continuous supplementary weft patterning” and displays the motifs in rows or grids (Pastor-Roces, 1991, p. 76). Others, however, refer to this motif or pattern as the sinan-mais (corn), which is one of their most important farming crops next to rice or palay. This motif is combined with zigzag-like patterns called the kinalkalayan or kinarkarayan which are non-representational or geometric forms of rivers (Pastor-Roces, 1991).