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Binakol (Kinkinelleng) (b)

LOCAL NAME:

Binakol (Kinkinelleng) (b)

ENGLISH NAME:

Blanket with rice field-like design

DESCRIPTION:

Abra, Tinguian, Itneg, Ilocos, & Ilocano: Binakol (Kinkinelleng)
A three-paneled blanket in multiple colors with embroidery as joineries.

COMMONLY USED BY/IN:

Abra, Tinguian, Itneg, Ilocos, Ilocano

MATERIAL COMPOSITION:

Cotton thread, Natural dye

ITEM CONSTRUCTION:

Double-toned basket weave, Embroidery, Stitching

DIMENSIONS:

Length
169 cm

Width
146 cm

Fringes
4.2 cm

ACQUISITION YEAR:

2021

DISPLAY STATUS:

BURC

RESEARCH DATA:

Binakol refers to the unique handwoven textiles of Abra and Ilocos. The word means "twill," which pertains to the weaving technique used to create the textile. Pastor-Roces (1991) noted, however, that the term binakol may also refer to the shape and appearance of the motif, which she described as being shaped into a sphere. Made by employing two-colored weft yarns that create positive and negative tones of squares and rectangles of varying sizes (Respicio, 2015). What is unique about this textile is the multiple colors used derived from various dye-yielding plants from Abra. The textile also features the kinkinelleng design, which Vasquez et al. (2020, p. 367) interpreted as the “field acre-like” design. Rice fields are common to the Itneg and Ilocano communities, as rice cultivation is among their primary livelihood. Moreover, like other Abra and Ilocos blankets, this binakol blanket has panels of woven textiles joined by a traditional stylized stitching method called the kawa-kawa (spider) joinery (Respicio, 2015). The same stitching technique is also used to border the blanket.

REFERENCES:

Pastor-Roces, M. (1991). Sinaunang Habi: Philippine Ancestral Weave. Nikki Books.

Respicio, N. A. (2015). Design techniques and weaving centers. In Inabel: Philippine textile from the Ilocos Region. ArtposAsia, pp. 48-143.

Vasquez, R. S., Valera, N. B., & Zales, J. P. (2020). Crystallographic pattern analysis of the loom woven clothes of Abra. International Journal of Innovation, Creativity and Change, 14(3), 353-381.

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